streamtypedè„@„„„NSMutableDictionary„„ NSDictionary„„NSObject…„i’„„„NSString•„+requiredVersion†’„—˜2.5†’„—˜version†’„—˜2.7†’„—˜ totalcards†’„—˜0†’„—˜actualCardDeck†’„„„ NSMutableData„„NSData•–‚>ë„[60222c] streamtypedè„@„„„ LWCardDeck„„NSObject…’„„„NSMutableArray„„NSArray”„i’„„„ LWCategory”’„–—$’„„„LWCard”’„–—’„„„ LWCardSide”’„„„NSString”„+ Lucida Grande†’„¡œkBesides using the Play button, what keys on your keyboard can you press to play a clip or sequence forward?†’„¡œ†—— ’„„„ NSDictionary”—††’„Ÿ’ ’„¡œThe Spacebar and the L key.†’£—— ’„¥—†††’„–—’˜’„™’„–—%’›’„œ’„–—’„Ÿ’ ’„¡œ"How do you access a shortcut menu?†’£—— ’„¥—††’„Ÿ’ ’„¡œ5Control-click, or right-click with a two-button mouse†’£—— ’„¥—†††’„–—’˜’ª†’„¡œ†’„„„NSMutableDictionary¥—†„c——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ-How do you mark an In or Out point on a clip?†’£—— ’„¥—††’„Ÿ’ ’„¡œWUse the Mark In and Mark Out buttons in the Viewer, or the keyboard shortcuts, I and O.†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-B†’£—— ’„¥—††’„Ÿ’ ’„¡œCreate a new bin†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Control-U†’£—— ’„¥—††’„Ÿ’ ’„¡œ"Selects the Standard window layout†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Down Arrow†’£—— ’„¥—††’„Ÿ’ ’„¡œ|Moves playhead forward in the Viewer to end of clip or next edit point, and in Timeline to the first frame of the next edit.†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: End†’£—— ’„¥—††’„Ÿ’ ’„¡œ%Takes playhead to end of the sequence†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Home†’£—— ’„¥—††’„Ÿ’ ’„¡œ&Takes playhead to head of the sequence†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: I†’£—— ’„¥—††’„Ÿ’ ’„¡œSets an In point†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: J†’£—— ’„¥—††’„Ÿ’ ’„¡œ>Plays clip or sequence backward in Viewer, Timeline, or Canvas†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: K†’£—— ’„¥—††’„Ÿ’ ’„¡œ=Stops playing clip or sequence in Viewer, Timeline, or Canvas†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: K + J†’£—— ’„¥—††’„Ÿ’ ’„¡œPlays backward in slow motion†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: K + L†’£—— ’„¥—††’„Ÿ’ ’„¡œPlays forward in slow motion†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: K + tap J†’£—— ’„¥—††’„Ÿ’ ’„¡œ$Moves playhead one frame to the left†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: K + tap L†’£—— ’„¥—††’„Ÿ’ ’„¡œ%Moves playhead one frame to the right†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: L†’£—— ’„¥—††’„Ÿ’ ’„¡œ=Plays clip or sequence forward in Viewer, Timeline, or Canvas†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Left Arrow†’£—— ’„¥—††’„Ÿ’ ’„¡œ$Moves playhead one frame to the left†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: O†’£—— ’„¥—††’„Ÿ’ ’„¡œSets an Out Point†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-I†’£—— ’„¥—††’„Ÿ’ ’„¡œRemoves the In point†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-O†’£—— ’„¥—††’„Ÿ’ ’„¡œRemoves the Out point†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-X†’£—— ’„¥—††’„Ÿ’ ’„¡œRemoves both In and Out points†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Right Arrow†’£—— ’„¥—††’„Ÿ’ ’„¡œ&Moves playhead one frame to the right.†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: right-click†’£—— ’„¥—††’„Ÿ’ ’„¡œ#opens shortcut menus throughout FCP†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-I†’£—— ’„¥—††’„Ÿ’ ’„¡œ"Moves the playhead to the In point†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-O†’£—— ’„¥—††’„Ÿ’ ’„¡œ#Moves the playhead to the Out point†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Up Arrow†’£—— ’„¥—††’„Ÿ’ ’„¡œvMoves playhead backward in the Viewer to head of clip or previous edit point, and in Timeline to previous first frame.†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: X†’£—— ’„¥—††’„Ÿ’ ’„¡œ7Sets In and Out points at the head and tail of the clip†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œName 3 ways to launch FCP†’£—— ’„¥—††’„Ÿ’ ’„¡œDouble-click the application in the Applications folder, click once on the icon in the Dock, or double-click a FCP project file†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œGTo open and close projects, you select the appropriate item from which?†’£—— ’„¥—††’„Ÿ’ ’„¡œ The File menu†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ What are 3 ways to create a bin.†’£—— ’„¥—††’„Ÿ’ ’„¡œYChoose File > New Bin, press Command-B, or Control-click in the gray area of the Browser.†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ}What are the four modifier keys that are often used in conjunction with keyboard shortcuts to initiate functions or commands?†’£—— ’„¥—††’„Ÿ’ ’„¡œ$Shift, Control, Option, and Command.†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ=What are the shortcuts to save, hide, and quit Final Cut Pro?†’£—— ’„¥—††’„Ÿ’ ’„¡œmPress Command-S to save current changes, press Command-H to hide the application, and press Command-Q to quit†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ’What is the visual indicator in the Canvas window that lets you know the playhead is on the first or last frame of an edited clip in the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œ7An L in the lower right means you're on the last frame.†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œtWhat is the visual indicator in the Viewer that lets you know you are on the first or last frame of the entire clip?†’£—— ’„¥—††’„Ÿ’ ’„¡œŸA filmstrip appears on the left side of the image in the Viewer indicating the first available frame of media, and on the right side indicating the last frame.†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œlWhat keys move the playhead forward or backward in one-frame increments in the Viewer, Canvas, and Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œThe Left and Right arrow keys†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œSWhen viewing the audio portion of a clip, what do you see instead of a video image?†’£—— ’„¥—††’„Ÿ’ ’„¡œA waveform display†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ3What are three ways to open a clip into the Viewer?†’£—— ’„¥—††’„Ÿ’ ’„¡œ[Double-click the clip in the Browser, drag it to the Viewer, or select it and press Return.†’£—— ’„¥—†††’„–—’˜’ª†’µ’„·—†Ÿ——‚"0 ††’„¡œ Chapter 1†’„¡œ0†Ÿ††’µ’„·—†Ÿ——‚"0 †’¬’¸’Â’Ì’Ö’à’ê’ô’þ’’’’&’0’:’D’N’X’b’l’v’€’Š’”’ž’¨’²’¼’Æ’Ð’Ú’ä’î’ø’’ ’„œ’„–—’„Ÿ’ ’„¡œ+How do you create a bin inside another bin?†’£—— ’„¥—††’„Ÿ’ ’„¡œ;Right-click a bin and choose New bin from the shortcut menu†’£—— ’„¥—†††’„–—’˜’„™’„–—’’„œ’„–—’„Ÿ’ ’„¡œLWhat are the four methods you can use to create an overwrite or insert edit?†’£—— ’„¥—††’„Ÿ’ ’„¡œ±Click an edit button; use a keyboard shortcut; drag a clip from the Viewer into the Canvas Edit Overlay; or drag the clip directly into the Timeline and release it onto a track.†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œnWhat icon in the Viewer audio tab do you use to drag an audio clip into the Edit Overlay or into the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œThe drag hand icon†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œOWhat are the keyboard shortcuts to zoom into or out of an area of the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œFPre Option-+ (plus) to zoom in, and press Option-- (minus) to zoom out†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ4How do you change the track heights in the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œƒIn the Timeline display controls, click a track height in the Track Height control, or toggle to find an option by pressing Shift-T†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ*How do you target a track in the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œ5Drag a source control to the target destination track†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ/Under what menu do you find the Import command?†’£—— ’„¥—††’„Ÿ’ ’„¡œ The File menu†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œdWhat controls in the Timeline patch panel toggle off or on the video and sound of individual tracks?†’£—— ’„¥—††’„Ÿ’ ’„¡œ)The Track Visibility and Audible controls†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œQTo select a clip in the Timeline, you click it once. Name 2 ways to deselect it.†’£—— ’„¥—††’„Ÿ’ ’„¡œGClick in the empty gray space above the track, or press Shift-Command-A†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ4How do you change a clip's location in the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œ3Drag the clip, or select it and enter a move amount†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ+What are 2 ways to turn snapping off or on?†’£—— ’„¥—††’„Ÿ’ ’„¡œ5Press N, or click the Snapping button in the Timeline†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œWhen dragging clips directly to the Timeline, your pointer changes as you position the clip depending on the type of edit you're making. When you're making an overwrite edit, what type of arrow does your pointer change into? What is it for an insert edit?†’£—— ’„¥—††’„Ÿ’ ’„¡œTThe downward arrow is for an overwrite edit; the forward arrow is for an insert edit†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œOWhen you open a clip in the Viewer, what do you see in the Timeline patch panel†’£—— ’„¥—††’„Ÿ’ ’„¡œeThe representative source tracks from the clip appear as source controls in the Timeline patch panel.†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-A†’£—— ’„¥—††’„Ÿ’ ’„¡œ!Selects all clips in the sequence†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-Command-A†’£—— ’„¥—††’„Ÿ’ ’„¡œ#Deselects all clips in the sequence†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: N†’£—— ’„¥—††’„Ÿ’ ’„¡œToggles snapping off and on†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-Z†’£—— ’„¥—††’„Ÿ’ ’„¡œ)Shows the entire sequence in the Timeline†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: Z†’£—— ’„¥—††’„Ÿ’ ’„¡œSelects the Zoom tool†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-O†’£—— ’„¥—††’„Ÿ’ ’„¡œOpens a project†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Control-click†’£—— ’„¥—††’„Ÿ’ ’„¡œBrings up a shortcut menu†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-S†’£—— ’„¥—††’„Ÿ’ ’„¡œ%Saves the current status of a project†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: F10†’£—— ’„¥—††’„Ÿ’ ’„¡œMakes an overwrite edit†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: F9†’£—— ’„¥—††’„Ÿ’ ’„¡œMakes an insert edit†’£—— ’„¥—†††’„–—’˜’"†’µ’„·—†Ÿ——‚"0 ††’„¡œ Chapter 2†’Ÿ††’µ’„·—†Ÿ——‚"0 †’$’.’8’B’L’V’`’j’t’~’ˆ’’’œ’¦’°’º’Ä’Î’Ø’â’ì’ö’„œ’„–—’„Ÿ’ ’„¡œEWhat are the shortcuts for setting In and Out points in the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œ7Press I to set an In point; press O to set an Out point†’£—— ’„¥—†††’„–—’˜’„™’„–—’’„œ’„–—’„Ÿ’ ’„¡œHWhat is the shortcut for marking the duration of a clip in the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œšPosition the playhead over the clip in the Timeline and press X to mark the duration of that clip. You can also click the Mark Clip button in the Canvas.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œHWhat does the Auto Select control in the Timeline patch panel determine?†’£—— ’„¥—††’„Ÿ’ ’„¡œšIf the Auto Select control is toggled on for a track, the clips between the edit points on that track will be highlighted and included in the next action.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œMWhen you mark an area of the Timeline and press Delete, will you leave a gap?†’£—— ’„¥—††’„Ÿ’ ’„¡œrPressing Delete alone leaves a gap where the material was edited. (This type of delete is referred to as a lift.)†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œgWhat happens to the marked area of the Timeline where you press Shift-Delete or the Forward Delete key?†’£—— ’„¥—††’„Ÿ’ ’„¡œ‘Pressing Shift-Delete or Forward-Delete removes both clip and gap within the marked area. This type of delete is referred to as a ripple delete.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ2On what menu do the lift and ripple delete appear?†’£—— ’„¥—††’„Ÿ’ ’„¡œ7The lift and ripple delete appear on the Sequence menu.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œfWhat mark is necessary in the Viewer when backtiming a source clip into a marked area in the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œgThe Out point of a source clip in the Viewer is necessary to backtime it into the Timeline edit points.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ4What is one way to access the Import Folder command?†’£—— ’„¥—††’„Ÿ’ ’„¡œ”To import a folder, you Control-click in the Browser and choose Import > Folder from the shortcut menu. You can also choose File > Import > Folder.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ4How do you patch source controls to Timeline tracks?†’£—— ’„¥—††’„Ÿ’ ’„¡œ­Drag a source control to the desired destination control, or Control-click either the source or destination control and choose the appropriate option from the shortcut menu.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œkWhich video track will you see when there is more than one video clip at the same location in the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œ(You always see the uppermost video track†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œWhat is a three-point edit?†’£—— ’„¥—††’„Ÿ’ ’„¡œJUsing just three edit points to determine location, duration, and content.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ(How do you save a Timeline track layout?†’£—— ’„¥—††’„Ÿ’ ’„¡œeClick the Track Layout control in the lower-left corner of the Timeline and choose Save Track Layout.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œCWhat marks are left behind after cutting with the Razor Blade tool?†’£—— ’„¥—††’„Ÿ’ ’„¡œRed through edit indicators.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ?What key do you press to add a marker at the playhead location?†’£—— ’„¥—††’„Ÿ’ ’„¡œ9The M key. Press M again to open the Edit marker window.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ:How do you create In and Out points from Timeline markers?†’£—— ’„¥—††’„Ÿ’ ’„¡œ@Choose Mark > Mark to Markers, or press the shortcut, Control-A.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: B†’£—— ’„¥—††’„Ÿ’ ’„¡œSelects the Razor Blade tool†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ!Keyboard: Delete (back space key)†’£—— ’„¥—††’„Ÿ’ ’„¡œ;Lifts an item or section from the Timeline and leaves a gap†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: M†’£—— ’„¥—††’„Ÿ’ ’„¡œ(Sets a marker in the Timeline ruler area†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: M M†’£—— ’„¥—††’„Ÿ’ ’„¡œOpens the Edit Marker window†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: X†’£—— ’„¥—††’„Ÿ’ ’„¡œMarks the full length of a clip†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-` (grave)†’£—— ’„¥—††’„Ÿ’ ’„¡œ+Deletes marker at current playhead location†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-` (grave)†’£—— ’„¥—††’„Ÿ’ ’„¡œ5Relocates the marker forward to the playhead location†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Control-A†’£—— ’„¥—††’„Ÿ’ ’„¡œJSets In and Out points at marker locations on either side of the playhead.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-M†’£—— ’„¥—††’„Ÿ’ ’„¡œ%Moves playhead to the previous marker†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-W†’£—— ’„¥—††’„Ÿ’ ’„¡œToggles clip overlays†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-Command-W†’£—— ’„¥—††’„Ÿ’ ’„¡œ4Toggles audio clip waveform displays in the Timeline†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ*Keyboard: Shift-Delete (or Forward Delete)†’£—— ’„¥—††’„Ÿ’ ’„¡œyRemoves an item or section from the Timeline and ripples the following edits up the duration of the gap (closes the gap).†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-M†’£—— ’„¥—††’„Ÿ’ ’„¡œ%Moves the playhead to the next marker†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-X†’£—— ’„¥—††’„Ÿ’ ’„¡œ,Cuts a marked selection and removes the gap.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 ††’„¡œ Chapter 3†’Ÿ††’µ’„·—†Ÿ——‚"0 †’ ’’!’+’5’?’I’S’]’g’q’{’…’’™’£’­’·’Á’Ë’Õ’ß’é’ó’ý’’’’„œ’„–—’„Ÿ’ ’„¡œ=How can you display a list of markers that are in a sequence?†’£—— ’„¥—††’„Ÿ’ ’„¡œXControl-click in the ruler area. The markers appear at the bottom of the shortcut menu.†’£—— ’„¥—†††’„–—’˜’„™’„–—’'’„œ’„–—’„Ÿ’ ’„¡œBWhere can you change the Timeline settings of the active sequence?†’£—— ’„¥—††’„Ÿ’ ’„¡œ6In the Sequence Settings window (Sequence > Settings).†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ/What two edit points does the slip tool adjust?†’£—— ’„¥—††’„Ÿ’ ’„¡œ8The Slip tool adjusts the In and Out points of one clip.†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œSWhat two sets of shortcut keys allow you to adjust edit points one frame at a time?†’£—— ’„¥—††’„Ÿ’ ’„¡œAThe < and > (angle bracket) keys, and the [ and ] (bracket) keys.†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ/What two edit points does the Roll tool adjust?†’£—— ’„¥—††’„Ÿ’ ’„¡œKThe Roll tool adjusts one clip's Out point and the adjacent clip's In point†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ-How do you adjust one track of a linked clip?†’£—— ’„¥—††’„Ÿ’ ’„¡œKToggle off linked selection, or hold down Option before clicking the track.†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ:How many clips are affected when you apply the Slide tool?†’£—— ’„¥—††’„Ÿ’ ’„¡œ#The Slide tool affects three clips.†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œWIs extending two edit points most similar to rolling, slipping, or sliding edit points?†’£—— ’„¥—††’„Ÿ’ ’„¡œ=Extending changes an edit point in the same way rolling does.†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œiWhat modifier key is essential to reposition a clip in a sequence without overwriting any other material?†’£—— ’„¥—††’„Ÿ’ ’„¡œnThe Option key is used to reposition a clip and move all other clips down in the sequence. (Drag then Option)†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ$What does Option-dragging a clip do?†’£—— ’„¥—††’„Ÿ’ ’„¡œ£Option-dragging creates a copy of a sequence clip and repositions the copy to a different location, leaving the original sequence clip in place. (Option then drag)†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ†If one track of a clip has gotten out of sync with its other tracks, either by being slipped or moved, how do you resync those tracks?†’£—— ’„¥—††’„Ÿ’ ’„¡œ™Press Command-Z, or Control-click the red out-of-sync indicators on the tracks you want to adjust and choose either "Slip into Sync" or "Move into Sync."†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: S†’£—— ’„¥—††’„Ÿ’ ’„¡œSelects the Slip tool†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: R†’£—— ’„¥—††’„Ÿ’ ’„¡œSelects the Roll tool†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: SS†’£—— ’„¥—††’„Ÿ’ ’„¡œSelects the Slide tool†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: E†’£—— ’„¥—††’„Ÿ’ ’„¡œ5Extends selected edit points to the playhead location†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Drag then Option†’£—— ’„¥—††’„Ÿ’ ’„¡œ Inserts a clip in a new location†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: \ (backslash)†’£—— ’„¥—††’„Ÿ’ ’„¡œ*Plays around the current playhead location†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-drag†’£—— ’„¥—††’„Ÿ’ ’„¡œ1Drags a copy of a clip to a new sequence location†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-Q†’£—— ’„¥—††’„Ÿ’ ’„¡œ!Opens the User Preferences window†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ4Keyboard: [ (left bracket) or < (left angle bracket)†’£—— ’„¥—††’„Ÿ’ ’„¡œGMoves the selected edit point or points left in single-frame increments†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ6Keyboard: ] (right bracket) or > (right angle bracket)†’£—— ’„¥—††’„Ÿ’ ’„¡œHMoves the selected edit point or points right in single-frame increments†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-[†’£—— ’„¥—††’„Ÿ’ ’„¡œWMoves the selected edit point or points backward the length of the multi-frame duration†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-]†’£—— ’„¥—††’„Ÿ’ ’„¡œVMoves the selected edit point or points forward the length of the multi-frame duration†’£—— ’„¥—†††’„–—’˜’0†’µ’„·—†Ÿ——‚"0 ††’„¡œ Chapter 5†’Ÿ††’µ’„·—†Ÿ——‚"0 †’2’<’F’P’Z’d’n’x’‚’Œ’–’ ’ª’´’¾’È’Ò’Ü’æ’ð’ú’’„œ’„–—’„Ÿ’ ’„¡œHow do you create a subclip?†’£—— ’„¥—††’„Ÿ’ ’„¡œDSet In and Out points in the clip, and choose Modify > Make Subclip.†’£—— ’„¥—†††’„–—’˜’„™’„–—’’„œ’„–—’„Ÿ’ ’„¡œWhere can you place a marker?†’£—— ’„¥—††’„Ÿ’ ’„¡œ‚Place markers in the Timeline ruler area or on a selected clip in the Timeline. You can also add markers to a clip in the Viewer.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œDoes snapping affect markers?†’£—— ’„¥—††’„Ÿ’ ’„¡œYes. When snapping is on, you can snap the playhead to markers and snap a clip marker to a sequence marker or other clip marker.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ*How do you create a subclip from a marker?†’£—— ’„¥—††’„Ÿ’ ’„¡œQSelect the marker under the clip in the Browser, and choose Modify > Make Subclip†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ7What modifier key is used to create a new poster frame?†’£—— ’„¥—††’„Ÿ’ ’„¡œ@The Control key is used to create a new poster frame (Control-P)†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ'What does the replace edit function do?†’£—— ’„¥—††’„Ÿ’ ’„¡œTIt replaces a sequence clip with a source clip, aligning the two playhead positions.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œMHow should clips be organized in a bin before making a story board-type edit?†’£—— ’„¥—††’„Ÿ’ ’„¡œQIn rows, with each clip in a row appearing slightly lower than the previous clip.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ6What does it mean when a production is shot multi-cam?†’£—— ’„¥—††’„Ÿ’ ’„¡œ_Multiple cameras were used to shoot the same action at the same time but from different angles.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œHow do you create a multiclip?†’£—— ’„¥—††’„Ÿ’ ’„¡œÃIn the Browser, select the clips you want to include in the multiclip and choose Modify > Make Multiclip, or Control-click a selected clip or bin and choose Make Multiclip from the shortcut menu.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œPWhen creating a multiclip, what are the three ways you can sync clips or angles?†’£—— ’„¥—††’„Ÿ’ ’„¡œ"In points, Out points, or timecode†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œYWhat modifier key do you use to modify the arrangement of multiclip angles in the Viewer?†’£—— ’„¥—††’„Ÿ’ ’„¡œThe Command key†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œWhat modifier key do you use to drag and drop a multiclip from the Viewer to the Canvas Edit Overlay or directly to the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œThe Option key†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œBWhat's the difference between switching angles and cutting angles?†’£—— ’„¥—††’„Ÿ’ ’„¡œoSwitching changes the angle you see at the playhead location: cutting makes a new edit point at that location.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œSCan a multiclip in a sequence be collapsed for output as single clips? If so, how?†’£—— ’„¥—††’„Ÿ’ ’„¡œIYes, you collapse a multiclip by choosing Modify > Collapse Multiclip(s).†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-U†’£—— ’„¥—††’„Ÿ’ ’„¡œMake a subclip†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: M†’£—— ’„¥—††’„Ÿ’ ’„¡œ Adds a marker†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-M†’£—— ’„¥—††’„Ÿ’ ’„¡œ Moves forward to the next marker†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-Down Arrow†’£—— ’„¥—††’„Ÿ’ ’„¡œ Moves forward to the next marker†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-M†’£—— ’„¥—††’„Ÿ’ ’„¡œ!Moves backward to the next marker†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-Up Arrow†’£—— ’„¥—††’„Ÿ’ ’„¡œ!Moves backward to the next marker†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-` (grave)†’£—— ’„¥—††’„Ÿ’ ’„¡œMWhen playhead is over the marker, deletes marker in sequence or selected clip†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Control-` (grave)†’£—— ’„¥—††’„Ÿ’ ’„¡œ0Deletes all markers in sequence or selected clip†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-` (grave)†’£—— ’„¥—††’„Ÿ’ ’„¡œ+Moves a marker forward to playhead position†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Control-P†’£—— ’„¥—††’„Ÿ’ ’„¡œ!Resets the poster frame in a clip†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-Control-O†’£—— ’„¥—††’„Ÿ’ ’„¡œ“With the Multi-camera Editing keyboard layout loaded, changes the playhead Sync to Open allowing you to see the clips in the Timeline in the Viewer†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 ††’„¡œ Chapter 6†’Ÿ††’µ’„·—†Ÿ——‚"0 †’’%’/’9’C’M’W’a’k’u’’‰’“’’§’±’»’Å’Ï’Ù’ã’í’÷’’„œ’„–—’„Ÿ’ ’„¡œ;What does toggling off linked selection in the Timeline do?†’£—— ’„¥—††’„Ÿ’ ’„¡œ (angle bracket) keys.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ7What is one advantage of trimming a clip in the Viewer?†’£—— ’„¥—††’„Ÿ’ ’„¡œ2You can view the material outside the marked area.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ2How can you disable a single clip in the sequence?†’£—— ’„¥—††’„Ÿ’ ’„¡œWControl-click the clip in the sequence and toggle off Clip Enable in the shortcut menu.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ=What tools can you use to drag an edit point in the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œ3Use the default Selection tool and the Ripple tool.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ4What is the keyboard shortcut for extending an edit?†’£—— ’„¥—††’„Ÿ’ ’„¡œThe E key extends an edit.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ@What tracks does the Razor Blade tool cut when you click a clip?†’£—— ’„¥—††’„Ÿ’ ’„¡œLIt cuts through all the tracks of a linked clip when linked selection is on.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œQHow do you drag a clip vertically in the Timeline without moving it horizontally?†’£—— ’„¥—††’„Ÿ’ ’„¡œ$Hold down the Shift key as you drag.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ1What is the advantage of editing on the V2 track?†’£—— ’„¥—††’„Ÿ’ ’„¡œVIt allows you to lengthen a clip without bumping into a bordering clip on either side.†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: B†’£—— ’„¥—††’„Ÿ’ ’„¡œSelects the Razor Blade tool†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: BB†’£—— ’„¥—††’„Ÿ’ ’„¡œ Selects the Razor Blade All tool†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: E†’£—— ’„¥—††’„Ÿ’ ’„¡œExtends an edit†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: N†’£—— ’„¥—††’„Ÿ’ ’„¡œToggles snapping off and on†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: RR†’£—— ’„¥—††’„Ÿ’ ’„¡œSelects the Ripple tool†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-Command-W†’£—— ’„¥—††’„Ÿ’ ’„¡œ2Toggles audio waveforms off and on in the Timeline†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-L†’£—— ’„¥—††’„Ÿ’ ’„¡œ#Toggles linked selection off and on†’£—— ’„¥—†††’„–—’˜’†’µ’„·—†Ÿ——‚"0 ††’„¡œ Chapter 4†’Ÿ††’µ’„·—†Ÿ——‚"0 †’’"’,’6’@’J’T’^’h’r’|’†’’š’¤’®’¸’„œ’„–—’„Ÿ’ ’„¡œ7How do you sort by a column other than the Name column?†’£—— ’„¥—††’„Ÿ’ ’„¡œClick a column heading†’£—— ’„¥—†††’„–—’˜’„™’„–—’Ä’„œ’„–—’„Ÿ’ ’„¡œEHow do you show a column that you can't currently see in the Browser?†’£—— ’„¥—††’„Ÿ’ ’„¡œMControl-click a column heading and choose Show Column from the shortcut menu.†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œDHow do you search for a clip in the Browser using specific criteria?†’£—— ’„¥—††’„Ÿ’ ’„¡œjSelect the Browser window and press Command-F to open the Find window and choose specific search criteria.†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œAWhat determines whether a clip is a master clip in Final Cut Pro?†’£—— ’„¥—††’„Ÿ’ ’„¡œSA clip is a master clip if it represents the first use of that clip in the project.†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œDWhat does it mean when a clip has a red slash through the clip icon?†’£—— ’„¥—††’„Ÿ’ ’„¡œ9The clip is offline and disconnected from its media file.†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œIHow can you look at the detailed information about a single clip or item?†’£—— ’„¥—††’„Ÿ’ ’„¡œ Select the clip, and press Command-9 to open the Item Properties window. You can also Control-click the clip and choose Item Properties from the shortcut menu.†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ8Where are all customized layouts saved on your computer?†’£—— ’„¥—††’„Ÿ’ ’„¡œfThey are saved at Macintosh HD > Users > [User Name] > Library > Preferences > Final Cut Pro User Data†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ-In what menu can you choose User Preferences?†’£—— ’„¥—††’„Ÿ’ ’„¡œ4Choose User Preferences from the Final Cut Pro menu.†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ0How do you make changes to an existing sequence?†’£—— ’„¥—††’„Ÿ’ ’„¡œ³Make the sequence active in the Timeline, or select it in the Browser, and press Command-0 to open the Sequence Settings window. You can also choose Sequence > Sequence Settings.†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ4How do you find a matching frame to a sequence clip?†’£—— ’„¥—††’„Ÿ’ ’„¡œGPosition the playhead over the frame of the sequence clip, and press F.†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ$What is saved in the Autosave Vault?†’£—— ’„¥—††’„Ÿ’ ’„¡œ#Backup copies of your project file.†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: F†’£—— ’„¥—††’„Ÿ’ ’„¡œ]Finds the frame in a sequence that matches the frame displayed in the Viewer, and vice versa.†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-F†’£—— ’„¥—††’„Ÿ’ ’„¡œOpens the Find window†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-F†’£—— ’„¥—††’„Ÿ’ ’„¡œ&Selects the master clip in the Browser†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-9†’£—— ’„¥—††’„Ÿ’ ’„¡œ Opens the Item Properties window†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-0†’£—— ’„¥—††’„Ÿ’ ’„¡œ"Opens the Sequence Settings window†’£—— ’„¥—†††’„–—’˜’͆’µ’„·—†Ÿ——‚"0 ††’„¡œ Chapter 7†’Ÿ††’µ’„·—†Ÿ——‚"0 †’Ï’Ù’ã’í’÷’’ ’’’)’3’=’G’Q’[’„œ’„–—’„Ÿ’ ’„¡œDBefore you can capture footage, what is the first thing you must do?†’£—— ’„¥—††’„Ÿ’ ’„¡œUYou must connect your source device via a FireWire cable or third-party capture card.†’£—— ’„¥—†††’„–—’˜’„™’„–—’g’„œ’„–—’„Ÿ’ ’„¡œTMarking clips for capture is similar to marking clips while editing. True or false?†’£—— ’„¥—††’„Ÿ’ ’„¡œTrue.†’£—— ’„¥—†††’„–—’˜’p†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œŒYou can enter a variety of clip information in the Logging tab. Give an example of logging information that appears in the Browser columns.†’£—— ’„¥—††’„Ÿ’ ’„¡œHLog note, good take, scene number, take number, angle number, clip name.†’£—— ’„¥—†††’„–—’˜’p†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œHWhen you choose a capture preset, what settings do you want it to match?†’£—— ’„¥—††’„Ÿ’ ’„¡œÇYour source footage settings. If you have a variety of footage, it should match whatever format represents the majority of clips or the highest quality, depending upon the project and your hardware.†’£—— ’„¥—†††’„–—’˜’p†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Make Favorite, or press Option-F.†’£—— ’„¥—†††’„–—’˜’1†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ(How do you set a new default transition?†’£—— ’„¥—††’„Ÿ’ ’„¡œiControl-click the transition in the Effects tab and choose Set Default Transition from the shortcut menu.†’£—— ’„¥—†††’„–—’˜’1†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-T†’£—— ’„¥—††’„Ÿ’ ’„¡œ Applies default video transition†’£—— ’„¥—†††’„–—’˜’1†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-Command-T†’£—— ’„¥—††’„Ÿ’ ’„¡œ Applies default audio transition†’£—— ’„¥—†††’„–—’˜’1†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-C†’£—— ’„¥—††’„Ÿ’ ’„¡œCopies a selected transition†’£—— ’„¥—†††’„–—’˜’1†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-V†’£—— ’„¥—††’„Ÿ’ ’„¡œPastes a copied transition†’£—— ’„¥—†††’„–—’˜’1†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-P†’£—— ’„¥—††’„Ÿ’ ’„¡œ0Previews a transition (Play Every Frame command)†’£—— ’„¥—†††’„–—’˜’1†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-R†’£—— ’„¥—††’„Ÿ’ ’„¡œRenders a selected transition†’£—— ’„¥—†††’„–—’˜’1†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-R†’£—— ’„¥—††’„Ÿ’ ’„¡œ'Renders all transitions in the Timeline†’£—— ’„¥—†††’„–—’˜’1†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-Q†’£—— ’„¥—††’„Ÿ’ ’„¡œOpens System Settings window†’£—— ’„¥—†††’„–—’˜’1†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-F†’£—— ’„¥—††’„Ÿ’ ’„¡œSaves a favorite transition†’£—— ’„¥—†††’„–—’˜’1†’µ’„·—†Ÿ——‚"0 ††’„¡œ Chapter 9†’Ÿ††’µ’„·—†Ÿ——‚"0 †’3’=’G’Q’„œ’„–—’„Ÿ’ ’µ’£—— ’„¥—††’„Ÿ’ ’µ’£—— ’„¥—†††’„–—’˜†’µ’„·—†Ÿ——‚"0 †’[’e’o’y’ƒ’’—’¡’«’µ’¿’É’Ó’Ý’„œ’„–—’„Ÿ’ ’„¡œNWhat button do you click in the Timeline to display the Mute and Solo buttons?†’£—— ’„¥—††’„Ÿ’ ’„¡œ Insert Tracks.†’£—— ’„¥—†††’„–—’˜’ú†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œHHow do you make the audio level overlay appear on clips in the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œwPress Option-W, or click the Clip Overlays control in the lower left of the Timeline, next to the Track Height control.†’£—— ’„¥—†††’„–—’˜’ú†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ7When would you turn on audio waveforms in the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œcWhen you want a visual representation of a clip's audio signals to evaluate or to edit audio clips.†’£—— ’„¥—†††’„–—’˜’ú†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œBWhat tool do you use to set a keyframe on the audio level overlay?†’£—— ’„¥—††’„Ÿ’ ’„¡œIThe Pen tool, or you can Option-click it with the default Selection tool.†’£—— ’„¥—†††’„–—’˜’ú†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œLHow can the Pen tool be accessed without selecting it from the Tool palette?†’£—— ’„¥—††’„Ÿ’ ’„¡œ}Press Option and move the pointer over the audio level overlay on a Timeline clip. The Pen tool appears on the overlay line.†’£—— ’„¥—†††’„–—’˜’ú†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Levels brings up the Gain Adjust window where you can raise or lower volume for all selected clips. Modify > Audio > Apply Normalization Gain resets the decibel level of the clip.†’£—— ’„¥—†††’„–—’˜’ú†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-W†’£—— ’„¥—††’„Ÿ’ ’„¡œ7Toggles audio level overlays on and off in the Timeline†’£—— ’„¥—†††’„–—’˜’ú†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-Command-W†’£—— ’„¥—††’„Ÿ’ ’„¡œ,Toggles waveforms on and off in the Timeline†’£—— ’„¥—†††’„–—’˜’ú†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: P†’£—— ’„¥—††’„Ÿ’ ’„¡œSelects the Pen tool†’£—— ’„¥—†††’„–—’˜’ú†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: PP†’£—— ’„¥—††’„Ÿ’ ’„¡œSelects the Pen Delete tool†’£—— ’„¥—†††’„–—’˜’ú†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-6†’£—— ’„¥—††’„Ÿ’ ’„¡œOpens the Audio Mixer†’£—— ’„¥—†††’„–—’˜’ú†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-0†’£—— ’„¥—††’„Ÿ’ ’„¡œOpens the Voice Over tool†’£—— ’„¥—†††’„–—’˜’ú†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Control-. (period)†’£—— ’„¥—††’„Ÿ’ ’„¡œ*Pans a selected clip's audio to the center†’£—— ’„¥—†††’„–—’˜’ú†’µ’„·—†Ÿ——‚"0 ††’„¡œ Chapter 10†’Ÿ††’µ’„·—†Ÿ——‚"0 †’ü’’’’$’.’8’B’L’V’`’j’t’~’ˆ’’’œ’¦’°’º’„œ’„–—’„Ÿ’ ’„¡œBFrom what two places can you choose a generated item such as text?†’£—— ’„¥—††’„Ÿ’ ’„¡œdChoose from the Browser Effects tab or from the Generator popup menu in the Video tab in the Viewer.†’£—— ’„¥—†††’„–—’˜’„™’„–— ’Æ’„œ’„–—’„Ÿ’ ’„¡œCWhat tab in the Viewer do you select to make changes to text clips?†’£—— ’„¥—††’„Ÿ’ ’„¡œThe Controls tab.†’£—— ’„¥—†††’„–—’˜’φ’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œWhen you superimpose an edit over a V1 clip, to what track should the source control be patched for the superimposed clip to be placed on V2?†’£—— ’„¥—††’„Ÿ’ ’„¡œ The V1 track.†’£—— ’„¥—†††’„–—’˜’φ’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œAWhat type of generated text identifies a person, place, or thing?†’£—— ’„¥—††’„Ÿ’ ’„¡œA lower third.†’£—— ’„¥—†††’„–—’˜’φ’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ8Under what menu can you find the Show Title Safe option?†’£—— ’„¥—††’„Ÿ’ ’„¡œ;The View menu, and the View popup in the Viewer and Canvas.†’£—— ’„¥—†††’„–—’˜’φ’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œUWhat generated item is used as a color and sound reference at the head of a sequence?†’£—— ’„¥—††’„Ÿ’ ’„¡œBars and tone.†’£—— ’„¥—†††’„–—’˜’φ’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ-Where can you find the Drop Shadow attribute?†’£—— ’„¥—††’„Ÿ’ ’„¡œ In the Motion tab in the Viewer.†’£—— ’„¥—†††’„–—’˜’φ’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œMIn what text generator does a separate window appear for making text changes?†’£—— ’„¥—††’„Ÿ’ ’„¡œThe Boris Text generator.†’£—— ’„¥—†††’„–—’˜’φ’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ=What automated text generator is often used for credit rolls?†’£—— ’„¥—††’„Ÿ’ ’„¡œThe Scrolling Text generator.†’£—— ’„¥—†††’„–—’˜’φ’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ$How can you adjust a clip's opacity?†’£—— ’„¥—††’„Ÿ’ ’„¡œŠDrag the opacity overlay on a video clip in the Timeline, or open a clip in the Viewer and change the Opacity parameter in the Motion tab.†’£—— ’„¥—†††’„–—’˜’φ’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œlWhen you choose a color for a color matte, you can pick a color only from the Colors window. True or false?†’£—— ’„¥—††’„Ÿ’ ’„¡œcFalse. You can use the Select Color eyedropper to pick a color from any clip in any open sequence.†’£—— ’„¥—†††’„–—’˜’φ’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œA speed percentage will appear next to the sequence clip name.†’£—— ’„¥—†††’„–—’˜’\ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œTWhat type of edit can change clip speed automatically as you edit into the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œA fit to fill edit.†’£—— ’„¥—†††’„–—’˜’\ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œaWhen you create a freeze frame, does a new freeze frame clip appear in the Browser automatically?†’£—— ’„¥—††’„Ÿ’ ’„¡œWNo, but you can drag the freeze frame image from the Viewer to the Browser if you like.†’£—— ’„¥—†††’„–—’˜’\ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ&Where do you access motion parameters?†’£—— ’„¥—††’„Ÿ’ ’„¡œIn the Motion tab.†’£—— ’„¥—†††’„–—’˜’\ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œWhat tool do you use to hide unnecessary portions of an image?†’£—— ’„¥—††’„Ÿ’ ’„¡œThe Crop tool.†’£—— ’„¥—†††’„–—’˜’\ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ+How is rotation measured in the Motion tab?†’£—— ’„¥—††’„Ÿ’ ’„¡œ In degrees.†’£—— ’„¥—†††’„–—’˜’\ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: C†’£—— ’„¥—††’„Ÿ’ ’„¡œSelects the Crop tool†’£—— ’„¥—†††’„–—’˜’\ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-J†’£—— ’„¥—††’„Ÿ’ ’„¡œOpens the Speed dialog†’£—— ’„¥—†††’„–—’˜’\ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-K†’£—— ’„¥—††’„Ÿ’ ’„¡œMoves forward to next keyframe†’£—— ’„¥—†††’„–—’˜’\ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-K†’£—— ’„¥—††’„Ÿ’ ’„¡œ#Moves backward to previous keyframe†’£—— ’„¥—†††’„–—’˜’\ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-N†’£—— ’„¥—††’„Ÿ’ ’„¡œ+Creates freeze frame from playhead position†’£—— ’„¥—†††’„–—’˜’\ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ Keyboard: W†’£—— ’„¥—††’„Ÿ’ ’„¡œ:Toggles among Image, Image+Wireframe, and Wireframe modes.†’£—— ’„¥—†††’„–—’˜’\ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-8†’£—— ’„¥—††’„Ÿ’ ’„¡œOpens the QuickView tool†’£—— ’„¥—†††’„–—’˜’\ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Shift-F5†’£—— ’„¥—††’„Ÿ’ ’„¡œ0Locks or unlocks all audio tracks in a sequence.†’£—— ’„¥—†††’„–—’˜’\ †’µ’„·—†Ÿ——‚"0 ††’„¡œ Chapter 12†’Ÿ††’µ’„·—†Ÿ——‚"0 †’^ ’h ’r ’| ’† ’ ’š ’¤ ’® ’¸ ’ ’Ì ’Ö ’à ’ê ’ô ’þ ’ ’„œ’„–—’„Ÿ’ ’„¡œ4What two ways can you apply a video or audio filter?†’£—— ’„¥—††’„Ÿ’ ’„¡œÂYou can drag a filter from the Effects tab to the clip in the Timeline, or you can identify the clip by selecting it (or moving the playhead over it) and choosing a filter from the Effects menu.†’£—— ’„¥—†††’„–—’˜’„™’„–— ’ ’„œ’„–—’„Ÿ’ ’„¡œDWhat is the procedure to view and modify filters for sequence clips?†’£—— ’„¥—††’„Ÿ’ ’„¡œPosition the playhead over the clip in the Timeline. Open the clip in the Viewer, and click the Filters tab. To change the priority of a filter, drag the filter name above or below another filter. To disable the filter, click the enable checkbox to deselect it.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ8How do you delete one or all filters in the Filters tab?†’£—— ’„¥—††’„Ÿ’ ’„¡œmClick the filter name, and press Delete, To delete all video filters, click Video Filters, and press Delete.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ[What real-time filter do you use to change the hue, saturation, and brightness of an image?†’£—— ’„¥—††’„Ÿ’ ’„¡œ!The Color Corrector 3-way filter.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œJWhat tool provides a split-screen before and after comparison of a filter?†’£—— ’„¥—††’„Ÿ’ ’„¡œThe Frame Viewer.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ&Where do you modify filter parameters.†’£—— ’„¥—††’„Ÿ’ ’„¡œIn the Filters tab.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKHow do you apply a filter from one clip to another clip? To several clips?†’£—— ’„¥—††’„Ÿ’ ’„¡œÜYou can drag the filter name from the Filters tab to another clip in the Timeline. To copy a filter to several clips at once, select those clips before dragging the filter. You can also use the Paste Attributes option.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ.How do you add filter keyframes in the Viewer?†’£—— ’„¥—††’„Ÿ’ ’„¡œ¡Position the playhead where you want to start or end a filter change, and click a parameter Keyframe button. Reposition the playhead, and change that parameter.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œbName one type of filter that can create a composite effect in which two images appear at one time.†’£—— ’„¥—††’„Ÿ’ ’„¡œ6The Matte or Key filters can create composite effects.†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-7†’£—— ’„¥—††’„Ÿ’ ’„¡œOpens Frame Viewer tool†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-8†’£—— ’„¥—††’„Ÿ’ ’„¡œOpens the QuickView tool†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-9†’£—— ’„¥—††’„Ÿ’ ’„¡œOpens Video Scopes tool†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Option-P†’£—— ’„¥—††’„Ÿ’ ’„¡œPreviews an effect†’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——‚"0 ††’„¡œ Chapter 13†’Ÿ††’µ’„·—†Ÿ——‚"0 †’ ’) ’3 ’= ’G ’Q ’[ ’e ’o ’y ’ƒ ’ ’„œ’„–—’„Ÿ’ ’„¡œEWhat is the most efficient way to find the audio peaks in a sequence?†’£—— ’„¥—††’„Ÿ’ ’„¡œ9Using the Audio Peaks function, located in the Mark menu.†’£—— ’„¥—†††’„–—’˜’„™’„–— ’™ ’„œ’„–—’„Ÿ’ ’„¡œ.How are audio peaks indicated in the Timeline?†’£—— ’„¥—††’„Ÿ’ ’„¡œCBy markers in the Timeline ruler area where each audio peak occurs.†’£—— ’„¥—†††’„–—’˜’¢ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œTWhat can you do to determine whether an image falls within the broadcast safe range?†’£—— ’„¥—††’„Ÿ’ ’„¡œhChoose View > Range Check > Luma, and move through the sequence to see where the out-of-range clips are.†’£—— ’„¥—†††’„–—’˜’¢ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œRHow can you correct an out-of-range clip so its range is acceptable for broadcast?†’£—— ’„¥—††’„Ÿ’ ’„¡œ,Apply the Broadcast Safe filter to the clip.†’£—— ’„¥—†††’„–—’˜’¢ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ[What two tools can you use to help prepare the audio and video of your sequence for output?†’£—— ’„¥—††’„Ÿ’ ’„¡œ The Audio Mixer and Video Scopes†’£—— ’„¥—†††’„–—’˜’¢ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ)What is a self-contained QuickTime movie?†’£—— ’„¥—††’„Ÿ’ ’„¡œˆA movie that uses Final Cut Pro sequence presets and that can be played on any computer without having the original media files present.†’£—— ’„¥—†††’„–—’˜’¢ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œHWhen might you use the QuickTime Conversion option to export a sequence?†’£—— ’„¥—††’„Ÿ’ ’„¡œoWhen you want to export a sequence at settings other than the current ones (for example, for the web or a DVD).†’£—— ’„¥—†††’„–—’˜’¢ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œ:What are the three ways you can output a sequence to tape?†’£—— ’„¥—††’„Ÿ’ ’„¡œNBy recording manually, or by using the Print to Video or Edit to Tape options.†’£—— ’„¥—†††’„–—’˜’¢ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œGWhat Export command do you choose to create a list of clip information?†’£—— ’„¥—††’„Ÿ’ ’„¡œ Batch List.†’£—— ’„¥—†††’„–—’˜’¢ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Command-Option-L†’£—— ’„¥—††’„Ÿ’ ’„¡œOpens audio Gain Adjust†’£—— ’„¥—†††’„–—’˜’¢ †’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’„¡œKeyboard: Control-Z†’£—— ’„¥—††’„Ÿ’ ’„¡œ*Toggles Excess Luma Range Check on and off†’£—— ’„¥—†††’„–—’˜’¢ †’µ’„·—†Ÿ——‚"0 ††’„¡œ Chapter 14†’Ÿ††’µ’„·—†Ÿ——‚"0 †’¤ ’® ’¸ ’ ’Ì ’Ö ’à ’ê ’ô ’þ ’„œ’„–—’„Ÿ’ ’µ’£—— ’„¥—††’„Ÿ’ ’µ’£—— ’„¥—†††’„–—’˜†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’µ’£—— ’„¥—††’„Ÿ’ ’µ’£—— ’„¥—†††’„–—’˜†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’µ’£—— ’„¥—††’„Ÿ’ ’µ’£—— ’„¥—†††’„–—’˜†’µ’„·—†Ÿ——‚"0 †’„œ’„–—’„Ÿ’ ’µ’£—— ’„¥—††’„Ÿ’ ’µ’£—— ’„¥—†††’„–—’˜†’µ’„·—†Ÿ——‚"0 ††’„¡œ All Cards†’Ÿ†’ª’"’ ’’0’’Í’p’1’ú’Ï’\ ’ ’¢ †’„–—’„„„LWCardSideMasterŸ’„¡œ LucidaGrande†’µ’£——’„¥—†’„¡œ Front Side†Ÿ’„·—’„¡œlastStateInInspector†’„¡œ1†’„¡œlastViewedInspectType†’„„„NSNumber„„NSValue”„*„——†’„¡œrememberLayout†’5 ’„¡œ textBackColor†’„„„NSColor”Ÿ„ffffƒ×£p?ƒ×£p?ƒ×£p?†’„¡œopenInInspector†’„6 £8 —††—ÿ†’„- ’. ’µ’£——’„¥—†’„¡œ Back Side†Ÿ’„·—’2 ’3 ’4 ’5 ’9 ’5 ’: ’„< Ÿ¥ƒ×£p?ƒ×£p?ƒ×£p?†’= ’> †—ÿ††’„–—’, ’? †’š’„·— ’„¡œcurrentCategoryIndex†’5 ’„¡œ timeInterval†’„6 £8 —†’„¡œsearchFontName†’ ’„¡œ intervals†’„–— ’> ’> ’„6 £8 —†’„6 £8 —†’„6 £8 —†’„6 £8 — †’„6 £„„q¦†’„6 £Q ¦†’„6 £Q ¦#†’„6 £Q ¦F†’„6 £Q ¦U†’„6 £Q ¦a††’„¡œnotKnowingCardDecrement†’„6 £8 —†’„¡œlimitCardsLimit†’„6 £8 —†’„¡œcurrentIdentifiers†’„–—’„¡œ0†’3 †’„¡œrandomSideOrder†’5 ’„¡œ filterByScore†’5 ’„¡œprintCardsBackSideFont†’„„„NSFont”—$„[36c]ÿþLucidaGrande„fŸŸŸŸ†’„¡œnotKnowingCardDecrementEnabled†’> ’„¡œintervalStudying†’5 ’„¡œknowingCardIncrementEnabled†’> ’„¡œmemorizedScoreEnabled†’> ’„¡œfilterSecondValue†’X ’„¡œdecreaseDayInterval†’> ’„¡œcatDrawerWidth†’„6 £„©©†’„¡œ disableAudio†’5 ’„¡œprintCardsFrontSideFont†’a ’„¡œmemorizedScore†’„6 £8 —†’„¡œsimpleMemorization†’> ’„¡œloopUntilKnown†’5 ’„¡œknowingCardIncrement†’> ’„¡œdecreaseAmountPerDay†’X ’„¡œfilterFirstValue†’5 ’„¡œ drawerOpen†’„6 £„ŸŸ†’„¡œ disableImages†’5 ’„¡œdecreaseScoreAutomatically†’5 ’„¡œ shuffleCards†’5 ’„¡œ tableFontSize†’„6 £8 — †’„¡œrepeatUntilEnded†’5 ’„¡œ timedPlayback†’5 †’µ’„™’„–—’„œ’„–—’„Ÿ’ ’µ’£—— ’„¥—††’„Ÿ’ ’µ’£—— ’„¥—†††’„–—’˜’ †’µ’„·—†Ÿ——††’„¡œTrash†’Ÿ†——†††