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LWCardSide”’„„„NSString”„+Lucida Grande†’„،œ2Identify the main workspaces in motion's interface†’„،œ †— —’„„„NSDictionary ”— ††’„ں’ ’„،œ<Utility window, Canvas window, project pane, and timing pane†’£— —’„¥— †††’„–—’ک’„™’„–—’›’„œ’„–—’„ں’ ’„،œCWhich keyboard shortcuts open the project pane and the timing pane?†’£— —’„¥— ††’„ں’ ’„،œ6F5 Opens the project pane and F6 opens the timing pane†’£— —’„¥— †††’„–—’ک’ھ†’„،œ †’„„„NSMutableDictionary ¥— †„c — —‚c0 †’„œ’„–—’„ں’ ’„،œAWhat can you adjust to efficiently use RAM for real-time playback†’£— —’„¥— ††’„ں’ ’„،œ3You can limit the player range of the mini-timeline†’£— —’„¥— †††’„–—’ک’ھ†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œ\What preset feature of Motion does not require you to set keyframes when creating animation?†’£— —’„¥— ††’„ں’ ’„،œDBehaviors create complex animations  without the need for keyframing†’£— —’„¥— †††’„–—’ک’ھ†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œYWhat provides easy access to the most common parameters of objects, filters, and effects?†’£— —’„¥— ††’„ں’ ’„،œThe heads-up display (HUD)†’£— —’„¥— †††’„–—’ک’ھ†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œ;What types of objects can be turned into a particle system?†’£— —’„¥— ††’„ں’ ’„،œ@Any object in the canvas can be used to create a particle system†’£— —’„¥— †††’„–—’ک’ھ†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œ+How do you convert a particle system to 3D?†’£— —’„¥— ††’„ں’ ’„،œJWith the particle system selected, select the 3D checkbox in the inspector†’£— —’„¥— †††’„–—’ک’ھ†’µ’„·— †ں — —‚c0 ††’„،œ	Chapter 1†’„،œ0†ں ††’µ’„·— †ں — —‚c0 †’¬’¸’آ’ج’ض’à’„œ’„–—’„ں’ ’„،œ3How can you create a rectangle in your composition?†’£— —’„¥— ††’„ں’ ’„،œXPress the R key, or in the canvas toolbar choose the rectangle shape from the create set†’£— —’„¥— †††’„–—’ک’„™’„–—’ي’„œ’„–—’„ں’ ’„،œ What does the add blend mode do?†’£— —’„¥— ††’„ں’ ’„،œپ÷ The add blend mode will act as the name implies: a light pixel in the foreground image will lighten up the corresponding pixel  beneath it to a value of full white, while a dark foreground pixel will decrease the visibility of the background pixel†’£— —’„¥— †††’„–—’ک’ِ†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œ&What key do you press to open the HUD?†’£— —’„¥— ††’„ں’ ’„،œF7†’£— —’„¥— †††’„–—’ک’ِ†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œ6Describe two ways to add a new group in the layers tab†’£— —’„¥— ††’„ں’ ’„،œپbClick the add (+) button at the top of the layers tab. Alternatively, you can select a layer and hold down the mouse button. Move your mouse pointer to the left. The hollow circle at the left of the position indicator a line to the group label, and a round Green plus symbol is visible, signifying that a new group will be created just below the pointer.†’£— —’„¥— †††’„–—’ک’ِ†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œHow do you make a clone layer?†’£— —’„¥— ††’„ں’ ’„،œSelect the layer and press K†’£— —’„¥— †††’„–—’ک’ِ†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œWhat does baking do?†’£— —’„¥— ††’„ں’ ’„،œپô Baking creates a single element from a layer or group with all effects, behaviors, and properties applied. That new layer can be automatically reimported into Motion 3 to replace the source material, while preserving all of its source elements.†’£— —’„¥— †††’„–—’ک’ِ†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œ5How can you temporarily turn off effects for a group?†’£— —’„¥— ††’„ں’ ’„،œrClick the gear icon to the right of the group's name so that a red line strikes through it click again to reenable†’£— —’„¥— †††’„–—’ک’ِ†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œbDescribe how you would make the last frame of a clip in your sequence hold for an extra 100 frames†’£— —’„¥— ††’„ں’ ’„،œ|From the timing section of the properties tab in the Inspector, set and condition to hold and set and duration to 100 frames†’£— —’„¥— †††’„–—’ک’ِ†’µ’„·— †ں — —‚c0 ††’„،œ	Chapter 2†’ëں ††’µ’„·— †ں — —‚c0 †’ّ’’’’ ’*’4’„œ’„–—’„ں’ ’„،œ+What do you click to convert a group to 3D?†’£— —’„¥— ††’„ں’ ’„،œ< Click the 2D/3D icon in the status column in the layers tab†’£— —’„¥— †††’„–—’ک’„™’„–—’@’„œ’„–—’„ں’ ’„،œeHow do you access the Z-coordinate fields for parameters such as Transform>Position in the inspector?†’£— —’„¥— ††’„ں’ ’„،œ_ Click the disclosure triangle next to the parameter to reveal the individual coordinate fields†’£— —’„¥— †††’„–—’ک’I†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œپپ What does dragging to red, green, or blue 3-D axis handles (arrows) due to an object when the adjust 3D transform tool is active?†’£— —’„¥— ††’„ں’ ’„،œkDragging the red arrow moves an object along the X-axis, green along the Y-axis, and blue along the Z-axis.†’£— —’„¥— †††’„–—’ک’I†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œ`Whenever using the HUD to move an object in 3-D space, name one parameter you should be aware of†’£— —’„¥— ††’„ں’ ’„،œoAdjust around. A setting of world axis may move an object in a different direction than a setting of local axis†’£— —’„¥— †††’„–—’ک’I†’µ’„·— †ں — —‚c0 ††’„،œ	Chapter 3†’ëں ††’µ’„·— †ں — —‚c0 †’K’U’_’„œ’„–—’„ں’ ’„،œ How can you turn on 3D overlays?†’£— —’„¥— ††’„ں’ ’„،œپس Click on the View and Overlay Options menu at the top right of the Canvas and select the desired tool.  Show 3D Overlays must also be selected.  These commands are available from the View pull-down menu as well.†’£— —’„¥— †††’„–—’ک’„™’„–—’k’„œ’„–—’„ں’ ’„،œ-How many viewports can you have open at once?†’£— —’„¥— ††’„ں’ ’„،œUp to 4†’£— —’„¥— †††’„–—’ک’t†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œ}When adding objects to the Canvas in a 3D environment, how can you automatically align them to the focal plane of the camera?†’£— —’„¥— ††’„ں’ ’„،œ_Drag them to the Active Camera view in the Canvas (instead of dragging them to the Layers tab).†’£— —’„¥— †††’„–—’ک’t†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œlWhen you add a light to a scene, what happens to the default ambient light that illuminates all the objects?†’£— —’„¥— ††’„ں’ ’„،œmThe default ambient light disappears, and only the light(s) that you have added will cast light on the scene.†’£— —’„¥— †††’„–—’ک’t†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œ=When you rotate a framing camera, what does it rotate around?†’£— —’„¥— ††’„ں’ ’„،œRIts anchor point, which is located at the center of the focal plane of the camera.†’£— —’„¥— †††’„–—’ک’t†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œ<How can you make a framing camera pivot around its own body?†’£— —’„¥— ††’„ں’ ’„،œUse the Walk Camera tool.†’£— —’„¥— †††’„–—’ک’t†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œfWhat behavior can you use to animate a camera so that it rotates around the center of its focal plane?†’£— —’„¥— ††’„ں’ ’„،œThe Sweep behavior.†’£— —’„¥— †††’„–—’ک’t†’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œQWhat camera parameter can you change to make distant objects disappear from view?†’£— —’„¥— ††’„ں’ ’„،œThe Far Fade parameter.†’£— —’„¥— †††’„–—’ک’t†’µ’„·— †ں — —‚c0 ††’„،œ	Chapter 4†’ëں ††’µ’„·— †ں — —‚c0 †’v’پ€ ’پٹ ’پ” ’پ‍ ’پ¨ ’پ² ’„œ’„–—’„ں’ ’„،œ%How do you access Motion's templates?†’£— —’„¥— ††’„ں’ ’„،œپ– Choose File > Open Template or press Command-Shift-O.  In the Template Browser, choose a theme, choose a template, and click the Open Template button.†’£— —’„¥— †††’„–—’ک’„™’„–—’پ¾ ’„œ’„–—’„ں’ ’„،œ3What parts of a template can be modified in Motion?†’£— —’„¥— ††’„ں’ ’„،œپ¯ Typically, you will replace the text and the drop zones, but a template is just a Motion project, so you can add, delete, and modify any layer, group, or effect within Motion.†’£— —’„¥— †††’„–—’ک’پا †’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œ6How do you replace the default content in a drop zone?†’£— —’„¥— ††’„ں’ ’„،œپDrag a media file from the File Browser to the Canvas; when the desired drop zone is highlighted, release the mouse button.  Alternatively, you can drag the new file to the drop zone layer in the Layers tab, wait for reset button (the hooked-arrow icon), and release the mouse button.†’£— —’„¥— †††’„–—’ک’پا †’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œ0How can you create a new drop zone in a project?†’£— —’„¥— ††’„ں’ ’„،œپfChoose Object > New Drop Zone or press Command-Shift-D to add a new drop zone.  To convert an existing media file to a drop zone, select the layer; then, in the Image tab of the Inspector, select the Drop Zone checkbox.  Optionally, you can clear the current contents with the Clear button, which will replace the contents with the default drop zone graphic.†’£— —’„¥— †††’„–—’ک’پا †’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’ ’„،œ<What Final Cut Studio applications can use Motion templates?†’£— —’„¥— ††’„ں’ ’„،œMotion and Final Cut Pro†’£— —’„¥— †††’„–—’ک’پا †’µ’„·— †ں — —‚c0 ††’„،œ	Chapter 5†’ëں ††’µ’„·— †ں — —‚c0 †’پة ’پس ’پف ’پç ’„œ’„–—’„ں’ ’„،œiWhat types of speed changes made to a clip in Final Cut Pro are retained when the clip is sent to Motion?†’£— —’„¥— ††’„ں’ ’„،œvBoth constant and variable speed changes made to a clip in Final Cut Pro are retained when the clip is sent to Motion.†’£— —’„¥— †††’„–—’ک’„™’„–—	’پَ ’„œ’„–—’„ں’ ’„،œ(Name 3 frame blending options in Motion.†’£— —’„¥— ††’„ں’ ’„،œ6Frame Blending, Motion-Blur Blending, and Optical Flow†’£— —’„¥— †††’„–—’ک’پü †’µ’„·— †ں — —‚c0 †’„œ’„–—’„ں’„،œLucida Grande†’„،œپ‍ After you have applied Optical Flow to a clip in Motion and completed the analysis, how long does it take to rerun the analysis when you make a timing change?†’£— —’„¥— ††’„ں’پ’„،œNo time.  When the Optical Flow analysis has been performed once, you can change the timing of the clip without a new analysis.†’£— —’„¥— †††’„–—’ک’پü †’„،œ †’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œ4Name 2 ways to change the speed of a clip in Motion.†’£— —’„¥— ††’„ں’پ’„،œUsing keyframes or behaviors†’£— —’„¥— †††’„–—’ک’پü †’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œپط Which of the following clip properties in Final Cut Pro are not retained when sent to Motion: opacity, scale, position, time remap, keyframes on Motion tab properties, transitions, generators, freeze frames, markers?†’£— —’„¥— ††’„ں’پ’„،œTransitions and generators†’£— —’„¥— †††’„–—’ک’پü †’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œEWhich Final Cut Pro filter is retained when a clip is sent to Motion?†’£— —’„¥— ††’„ں’پ’„،œJThe SmoothCam filter -- it is translated into Motion's Stabilize behavior.†’£— —’„¥— †††’„–—’ک’پü †’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œپ© When using Motion to create a DVD menu for DVD Studio Pro, what elements can you add in Motion that indicate the location of button highlights and the menu's loop point?†’£— —’„¥— ††’„ں’پ’„،œپ¥ Add an overlay file (a black and white composition exported as a still graphic file) to indicate button highlights and a DVD Menu Loop marker to locate a loop point.†’£— —’„¥— †††’„–—’ک’پü †’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œEHow can you apply a Soundtrack Pro effect to an audio clip in Motion?†’£— —’„¥— ††’„ں’پ’„،œپâ In Motion's Timeline tab, reveal the audio tracks by clicking the Show/Hide Audio button; then Control-click the clip and choose Send To > Soundtrack Pro.  In Soundtrack Pro, choose an effect from Process > Effects, then save.†’£— —’„¥— †††’„–—’ک’پü †’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œ}In DVD STudio Pro, after you have imported a Motion project and applied it as a menu background, how can you change the menu?†’£— —’„¥— ††’„ں’پ’„،œپذ In the Assets tab, Control-click the Motion project and choose Open in Editor, which will launch Motion.  Make the change in Motion and save the file.  The change is automatically reflected in DVD Studio Pro.†’£— —’„¥— †††’„–—’ک’پü †’پ’„·— †ں — —‚c0 ††’„،œ	Chapter 6†’ëں ††’µ’„·— †ں — —‚c0 †’پ‏ ’پ’پ’پ’پ(’پ2’پ<’پF’„œ’„–—’„ں’پ’„،œ8Name 3 properties of text that you can modify in the HUD†’£— —’„¥— ††’„ں’پ’„،œnIn the HUD, you can adjust a text's font family, typeface, Size, Tracking, Opacity, Blend Mode, and Alignment.†’£— —’„¥— †††’„–—’ک’„™’„–—’پR’„œ’„–—’„ں’پ’„،œXWhat are the four text attributes that you can modify in the Style pane of the Text tab?†’£— —’„¥— ††’„ں’پ’„،œ%Face, Outline, Glow, and Drop Shadow.†’£— —’„¥— †††’„–—’ک’پ[†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œپ¦ After you have created and styled a text layer, parameters from which two panes of the Text tab can be saved into a preset in teh Text Styles category of the Library?†’£— —’„¥— ††’„ں’پ’„،œJYou can save the attributes from the Format pane, the Style pane, or both.†’£— —’„¥— †††’„–—’ک’پ[†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œ;Identify two ways to apply a text behavior to a text layer.†’£— —’„¥— ††’„ں’پ’„،œپث Drag the preset from the Library to the text layer in teh Layers tab or the Canvas; or, with the text layer selected, choose a preset from the menus accessed through the Add Behavior icon in the Toolbar.†’£— —’„¥— †††’„–—’ک’پ[†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œ|Which behavior was used to build all the text behaviors in the Text Sequence folder of the Library, and where is it located?†’£— —’„¥— ††’„ں’پ’„،œQThe Sequence Text behavior was used.  It is located in the Text Animation folder.†’£— —’„¥— †††’„–—’ک’پ[†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œFHow do you enable the Path Options in the Layout pane of the Text tab?†’£— —’„¥— ††’„ں’پ’„،œSet the Layout Method to Path.†’£— —’„¥— †††’„–—’ک’پ[†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œ*Can you animate text in 3D with behaviors?†’£— —’„¥— ††’„ں’پ’„،œپع Yes, you can use the preset behaviors in the Text-3D Move folder, located in the Text Sequence category of behaviors in the Library, or you can create your own 3D animation with the Sequence Text behavior or keyframes.†’£— —’„¥— †††’„–—’ک’پ[†’پ’„·— †ں — —‚c0 ††’„،œ	Chapter 7†’ëں ††’پ’„·— †ں — —‚c0 †’پ]’پg’پq’پ{’پ…’پڈ’„œ’„–—’„ں’پ’„،œ+Identify 3 ways you can modify a generator.†’£— —’„¥— ††’„ں’پ’„،œپ)You can modify a generator's properties (found in the Properties tab of the Inspector), like position, scale, and rotation; you can add effects (behaviors, filters, and masks); and you can modify the parameters in the Generators tab (changing values, keyframing, and applying parameter behaviors).†’£— —’„¥— †††’„–—’ک’„™’„–—’پ›’„œ’„–—’„ں’پ’„،œOHow can you replace a group in a project with a rendered version of that group?†’£— —’„¥— ††’„ں’پ’„،œtSelect the group choose File > Export Selection, and choose "Import into project" from the After Export pop-up menu.†’£— —’„¥— †††’„–—’ک’پ¤†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œ8Where can you find hundreds of preset particle emitters?†’£— —’„¥— ††’„ں’پ’„،œ2In the Library, in the Particle Emitters category.†’£— —’„¥— †††’„–—’ک’پ¤†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œPIdentify 3 types of objects that can be used as a source for a particle emitter.†’£— —’„¥— ††’„ں’پ’„،œmYou can create particles from an image file, a QuickTime movie clip, a shape, a  generator, text, or a group.†’£— —’„¥— †††’„–—’ک’پ¤†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œoIn the Emitter tab, which checkbox must be selected to add the Box and Sphere options to the Shape pop-up menu?†’£— —’„¥— ††’„ں’پ’„،œTThe 3D checkbox needs to be selected to add these 3D shapes to the Shape pop-up menu†’£— —’„¥— †††’„–—’ک’پ¤†’پ’„·— †ں — —‚c0 ††’„،œ	Chapter 8†’ëں ††’پ’„·— †ں — —‚c0 †’پ¦’پ°’پ؛’پؤ’„œ’„–—’„ں’پ’„،œ/Name 3 types of objects that can be replicated.†’£— —’„¥— ††’„ں’پ’„،œپط You can replicate just about anything, including content you add, such as images and Quicktime movies, and content you create in Motion, such as text, shapes, and generators.  Groups of layers also can be replicated.†’£— —’„¥— †††’„–—’ک’„™’„–—’پذ’„œ’„–—’„ں’پ’„،œHWhat other behavior works similarly to the Sequence Replicator behavior?†’£— —’„¥— ††’„ں’پ’„،œjThe Sequence Text behavior.  Both create animation that flows through the object, be it text or a pattern.†’£— —’„¥— †††’„–—’ک’پظ†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œ^What 2 changes to the Replicator are required to make replicator cells spread out in 3D space?†’£— —’„¥— ††’„ں’پ’„،œپˆ In the Replicator tab of the Inspector, select the 3D checkbox; then choose either Box or Sphere from the Shape parameter's pop-up menu.†’£— —’„¥— †††’„–—’ک’پظ†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œVName 2 camera behaviors that are useful for moving a camera around and through layers.†’£— —’„¥— ††’„ں’پ’„،œThe Sweep and Dolly behaviors.†’£— —’„¥— †††’„–—’ک’پظ†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œVDescribe the 2 steps that are needed to use a replicator as an image mask for a layer.†’£— —’„¥— ††’„ں’پ’„،œپ‰ First, select the target layer and choose Object > Add Image Mask.  Second, drag the Replicator layer to the Mask Source Well in the HUD.†’£— —’„¥— †††’„–—’ک’پظ†’پ’„·— †ں — —‚c0 ††’„،œ	Chapter 9†’ëں ††’پ’„·— †ں — —‚c0 †’پغ’په’پï’پù’„œ’„–—’„ں’پ’„،œQHow can you add a keyframe to a parameter in Motion when Recording is turned off?†’£— —’„¥— ††’„ں’پ’„،œaOption-click the Animation menu of the parameter, or choose Add Keyframe from the Animation menu.†’£— —’„¥— †††’„–—’ک’„™’„–—’پ’„œ’„–—’„ں’پ’„،œEWhich keyframe-interpolation mode allows for the most manual control?†’£— —’„¥— ††’„ں’پ’„،œBezier†’£— —’„¥— †††’„–—’ک’پ†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œEWhat option requires that you set a keyframe before using the Record?†’£— —’„¥— ††’„ں’پ’„،œ/"Record keyframes on animated parameters only."†’£— —’„¥— †††’„–—’ک’پ†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œzIdentify the shortcut key that allows you to see all the animated parameters for a selected object in the Keyframe Editor.†’£— —’„¥— ††’„ں’پ’„،œuPress U in the Keyframe Editor to select a curves set that shows all the animated parameters for the selected object.†’£— —’„¥— †††’„–—’ک’پ†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œLHow can you hide parameters to reduce visual clutter in the Keyframe Editor?†’£— —’„¥— ††’„ں’پ’„،œNDeselect the checkbox to the left of the attribute to hide its keyframe graph.†’£— —’„¥— †††’„–—’ک’پ†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œhWhich of the following are parameter behaviors: Colorize, Glow, Oscillate, Randomize, Tracking, Wriggle?†’£— —’„¥— ††’„ں’پ’„،œ:Oscillate, Randomize, and Wriggle are parameter behaviors.†’£— —’„¥— †††’„–—’ک’پ†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’„،œEWhat is the purpose of the Random Seed value in a parameter behavior?†’£— —’„¥— ††’„ں’پ’„،œZThe Random Seed value sets the pattern of random numbers used by many parameter behaviors.†’£— —’„¥— †††’„–—’ک’پ†’پ’„·— †ں — —‚c0 ††’„،œ
Chapter 10†’ëں ††’پ’„·— †ں — —‚c0 †’پ’پ’پ$’پ.’پ8’پB’„œ’„–—’„ں’پ’„،œ2Do paint strokes have a fill associated with them?†’£— —’„¥— ††’„ں’پ’„،œ\No. If you add a fill to a stroke, the Stroke options in the Shape tab are made unavailable.†’£— —’„¥— †††’„–—’ک’„™’„–—’پN’„œ’„–—’„ں’پ’„،œپ؛ When you are using the Paint Stroke tool, does the Write On behavior need to be active before the properties of a paint stroke (such as stylus speed, pressure, and tilt) can be recorded?†’£— —’„¥— ††’„ں’پ’„،œپû Speed, pressure, and tilt angle of a stylus are recorded when a stroke is drawn regardless of the Write On behavior.  You can add the Write On behavior after a stroke has been drawn and still use those attributes to modify the way the stroke is drawn.†’£— —’„¥— †††’„–—’ک’پW†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œ6Can you modify the speed of a stroke after it's drawn?†’£— —’„¥— ††’„ں’پ’„،œپ‍ Yes.  Using the Speed pop-up menu of the Write On behavior, you can select from up to nine speed choices that control how the stroke is drawn onto the Canvas.†’£— —’„¥— †††’„–—’ک’پW†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œSHow do you make the control points of a stroke on the Canvas available for editing?†’£— —’„¥— ††’„ں’پ’„،œ[Right-click and choose Edit Points, or double-click a stroke to reveal its control handles.†’£— —’„¥— †††’„–—’ک’پW†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œ8Can the shape of a paint stroke be modified in 3D space?†’£— —’„¥— ††’„ں’پ’„،œپ— While the dabs of a stroke can move in 3D Z-space, the shape of the stroke exists as a plane--the control points do not have individual Z depth values.†’£— —’„¥— †††’„–—’ک’پW†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œyActivating Dynamics for a paint stroke causes its dabs to behave in a manner similar to what other type of Motion object?†’£— —’„¥— ††’„ں’پ’„،œ[When Dynamics is active, the dabs of a paint stroke behave similarly to a particle emitter.†’£— —’„¥— †††’„–—’ک’پW†’پ’„·— †ں — — ††’„،œ
Chapter 11†’ëں ††’پ’„·— †ں — — †’پY’پc’پm’پw’پپ’„œ’„–—’„ں’پ’„،œWhat does a key do?†’£— —’„¥— ††’„ں’پ’„،œپص A key tells Motion which parts of a composited image should be visiable and which parts should be transparent.  White in the mask indicates which areas will be opaque and black indicates which will be transparent.†’£— —’„¥— †††’„–—’ک’„™’„–—’پچ’„œ’„–—’„ں’پ’„،œپ‚ What filter can be used to compensate for varying midrange luminance levels in source footage you are trying to key and composite?†’£— —’„¥— ††’„ں’پ’„،œ]The Gamma filter can be used to correct the contrast of video content from different sources.†’£— —’„¥— †††’„–—’ک’پ–†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œFName a filter that can trim and smooth pixels from the edges of a key.†’£— —’„¥— ††’„ں’پ’„،œThe Matte Magic filter.†’£— —’„¥— †††’„–—’ک’پ–†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œپƒ Describe how you would deal with problem areas in a key that a general luminance blue/green screen, or manual key might nw address.†’£— —’„¥— ††’„ں’پ’„،œپ† Layers or groups can be duplicated to localize effects and individual masks can be manipulated to address particlar areas of an image.†’£— —’„¥— †††’„–—’ک’پ–†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œ:How would you manually adjust a key over a period of time?†’£— —’„¥— ††’„ں’پ’„،œپYou can move and animate B-splines and their tangent handles using a process known as rotoscoping.  The Record Animation button allows you to record changes at particular points in time and have the computer interpolate changes between the resultant keyframes.†’£— —’„¥— †††’„–—’ک’پ–†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œbWhat type of key can use the inherent black and white levels of an image or footage to pull a key?†’£— —’„¥— ††’„ں’پ’„،œA luma key.†’£— —’„¥— †††’„–—’ک’پ–†’پ’„·— †ں — — ††’„،œ
Chapter 12†’ëں ††’پ’„·— †ں — — †’پک’پ¢’پ¬’پ¶’پہ’„œ’„–—’„ں’پ’„،œbIn the Stabilize behavior, which method will allow you to retain some intentional camera movement?†’£— —’„¥— ††’„ں’پ’„،œ[The Smooth method allows you to keep some camera movement while removing erratic jerkiness.†’£— —’„¥— †††’„–—’ک’„™’„–—’پج’„œ’„–—’„ں’پ’„،œ{Which Match Move type allows you to easily pin a rectangular graphic to a background (such as a sign to the side of a bus)?†’£— —’„¥— ††’„ں’پ’„،œFour Corners†’£— —’„¥— †††’„–—’ک’پص†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œpWhich Border optionn allows you to hide the black borders that may become visible when stabilizing a video clip?†’£— —’„¥— ††’„ں’پ’„،œeThe Zoom option will zoom in on the image to hide the black borders created when stabilizing footage.†’£— —’„¥— †††’„–—’ک’پص†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œ8Are Match Moves limited to just one destination element?†’£— —’„¥— ††’„ں’پ’„،œپ» No, Match Moves can be easily copied and pasted into object layers or even groups of layers.  This will allow multiple elements to track a specific point's movement in background footage.†’£— —’„¥— †††’„–—’ک’پص†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œ?Which behavior allows you to create custom animations for text?†’£— —’„¥— ††’„ں’پ’„،œKThe Sequence Text behavior allows you to create custom animations for text.†’£— —’„¥— †††’„–—’ک’پص†’پ’„·— †ں — — ††’„،œ
Chapter 13†’ëں ††’پ’„·— †ں — — †’پ×’پل’پë’پُ’„œ’„–—’„ں’پ’„،œ1Do imported audio files appear in the Layers tab?†’£— —’„¥— ††’„ں’پ’„،œ3No. Audio files appera in the Audio and Media tabs.†’£— —’„¥— †††’„–—’ک’„™’„–—’پ’„œ’„–—’„ں’پ’„،œKWhich pan value will pan a sound to full right channel: +100, 000, or -100?†’£— —’„¥— ††’„ں’پ’„،œ&A pan value of +100 is full right pan.†’£— —’„¥— †††’„–—’ک’پ
†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œBIn the Audio Editor, what keyboard shortcut adds a project marker?†’£— —’„¥— ††’„ں’پ’„،œShift-M adds a project marker.†’£— —’„¥— †††’„–—’ک’پ
†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œWThe Audio parameters behavior can respond to which 2 kinds of changes in an audio file?†’£— —’„¥— ††’„ں’پ’„،œ)Amplitude and transient frequency changes†’£— —’„¥— †††’„–—’ک’پ
†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œ`Can an animation curve created by the Audio parameter behavior be edited in the Keyframe Editor?†’£— —’„¥— ††’„ں’پ’„،œNo.†’£— —’„¥— †††’„–—’ک’پ
†’پ’„·— †ں — — †’„œ’„–—’„ں’پ’„،œnDo changes made to thet Master audio track affect audio files that are imported after those changes were made?†’£— —’„¥— ††’„ں’پ’„،œgYes.  Changes to the Master audio track affect all clips, no matter when they are added to the project.†’£— —’„¥— †††’„–—’ک’پ
†’پ’„·— †ں — — ††’„،œ
Chapter 14†’ëں ††’پ’„·— †ں — — †’پ’پ’پ ’پ*’پ4†’„،œ	All Cards†’ëں †’ھ’ِ’I’t’پا ’پü ’پ[’پ¤’پظ’پ’پW’پ–’پص’پ
†’„–—’„„„LWCardSideMasterں’„،œLucidaGrande†’µ’£——$’„¥— †’„،œ
Front Side†ں’„·—’„،œlastStateInInspector†’„،œ1†’„،œlastViewedInspectType†’„„„NSNumber „„NSValue ”„*„—— †’„،œrememberLayout†’پK’„،œtextBackColor†’„„„NSColor ”ں„ffffƒ×£p?ƒ×£p?ƒ×£p?†’„،œopenInInspector†’„پL£پN—††—ے†’„پC’پD’µ’£——$’„¥— †’„،œ	Back Side†ں’„·—’پH’پI’پJ’پK’پO’پK’پP’„پRں¥ƒ×£p?ƒ×£p?ƒ×£p?†’پS’پT†—ے††’„–—’پB’پU†’ڑ’„·— ’„،œcurrentCategoryIndex†’پK’„،œtimeInterval†’„پL£پN—†’„،œsearchFontName†’ ’„،œ	intervals†’„–—’پT’پT’„پL£پN—†’„پL£پN—†’„پL£پN—†’„پL£پN—
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drawerOpen†’„پL£پwں†’„،œdisableImages†’پK’„،œdecreaseScoreAutomatically†’پK’„،œshuffleCards†’پK’„،œtableFontSize†’„پL£پN—†’„،œrepeatUntilEnded†’پK’„،œtimedPlayback†’پK†’µ’„™’„–—’„œ’„–—’„ں’ ’µ’£— —’„¥— ††’„ں’ ’µ’£— —’„¥— †††’„–—’ک’پ–†’µ’„·— †ں — — †’„œ’„–—’„ں’ ’µ’£— —’„¥— ††’„ں’ ’µ’£— —’„¥— †††’„–—’ک’پ–†’µ’„·— †ں — — †’„œ’„–—’„ں’پ’پ’£— —’„¥— ††’„ں’پ’پ’£— —’„¥— †††’„–—’ک’پ–†’پ’„·— †ں — —‚c0 †’„œ’„–—’„ں’پ’پ’£— —’„¥— ††’„ں’پ’پ’£— —’„¥— †††’„–—’ک’پ–†’پ’„·— †ں — — ††’„،œTrash†’ëں †— — †††